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#1 (permalink) |
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User
Join Date: Feb 2009
Posts: 36
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Well here it is... The 2009 commercial demo hot off the plate. Enjoy!
Featured clients are Burger King, McDonald's, Budweiser, 7-Eleven and Toyota. Thoughts and opinions are always welcome :) |
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#3 (permalink) |
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User
Join Date: Feb 2009
Posts: 36
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Hey Mike,
I'm not really sure how to answer your question but I'll tell you this. At 4 years into the business I feel like I haven't been around the block with the young sound. I'm only just beginning to explore the differences and variations I can do with tone & inflection. Though 4 years ago when I began my journey, everything commercial was all about just reading A) High Energy B) Enthusiastic. It didn't matter what the script had on it, I'd just do the same thing everytime using the same inflections to a similar degree. So having said that I've listened to demos of succesful guys with the same sound and have realized there are new avenues in which to take that young sound. This past year I've began expanding on that, trying out new waters. So, how many variations do I have? I am completely unsure, but if there's a script infront of me, I'm going to be approaching my reads with a variation that is hopefully unique and which the client can't say no to. Ahh the fade out. That's 2 people who've told me that. As the saying goes, if it happens once, it can never happen again, happens twice, it's sure to happen a 3rd lol I'll have to take a look at that tomorrow. Thanks for your comment, it opened up my mind :) |
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#4 (permalink) |
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User
Join Date: Dec 2008
Location: Los Angeles
Posts: 1,158
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The more variations you can have on that voice style the better. This will keep you fresh and versatile. And if I were you I would start working on character voices -that's where the money is.
Keep a note book and every tine you come up with new voice give it a name, a brief description on placement, and a phrase that can get you to that voice quickly. Happy I could help stimulate your mind. |
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#6 (permalink) | |
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User
Join Date: Mar 2009
Posts: 36
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Quote:
Nice clear voice. Like the energy and clarity. On all but the PSA, you sometimes bounce your voice off the back of your throat; this isn't natural and if you can stop doing it, your sound will improve and it will also allow you to relax your voice. It may even give you a little more range downward. Phyllis K. |
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#8 (permalink) | |
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Administrator
Join Date: Aug 2007
Location: Los Angeles, CA
Posts: 2,893
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Quote:
Yeah, I hear it too. It's a "focus" thing - seems kind of adenoidal to me. I had a great voice/singing coach who could move the focus while singing. Very instructive to hear it go from the back to front, and from belly to head. Wild to hear. Still working on that one myself! Cheers, Joe |
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#9 (permalink) | |
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User
Join Date: Mar 2009
Posts: 36
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Quote:
Try and sound like Barney, and you'll notice you can only do it if you catch your voice in the back of your throat and sort of press your neck together. It compresses the sound. |
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